In my very first year of writing this blog, I made my first ever trip to what was then called the D23 Expo. This bi-annual 3 day event held in Anaheim, California right across the street from Disneyland was a very different animal back in 2013. While still pretty impressive in it’s early days, the event has grown exponentially every time it returns, to the point where the Anaheim Convention Center alone can’t contain all of it. At the last one held in 2024, Disney moved their biggest presentations down the road a couple miles to the Honda Center, which greatly expanded how Disney was able to put on this convention. D23 now covers ever inch of space of the Convention Center, and yet it also manages to extend out beyond those halls. This year now marks my 7th trip to D23, which is certainly a lot more than I ever thought I would be able to do in my lifetime. At this point, I have become a pro at planning my days out at the convention, but at the same time, there still has to be a certain amount of luck to get into the most exclusive parts of the experience itself. If you read my blog post 2 years ago covering D23 2024, you’ll know that I didn’t manage to get into 2 of the night time shows at the Honda Center; which were the Film and Television Presentation and the Parks and Experiences Presentation. I was only able to snag a ticket to the Disney Legends Ceremony, due to it being the last one left that hadn’t sold out. The ticketing queue system they use for selling passes to D23 can be a bit of a lottery for most people, as it randomly places you in line, and in 2024 I had a very high number in the queue. Thankfully, this year was very different, as I managed to get a Honda Center ticket for every day of the convention, along with 3 full days on the Convention floor. While I was still able to enjoy myself two years ago, this was going to feel like a more complete year as I knew going in that I had a place secured in all the big shows that I wanted to see. It’s been two years of eager anticipation leading up to these three big days, and I have a lot to cover about all the sights and sounds that I took in.
But before I go into each individual day, I do want to note one thing that definitely was different about this convention which is just how much it is expanding out beyond the event itself. Despite officially being a three day event on the Convention floor, it almost seems like Disney is making the whole week leading into the convention an event into itself. They held a smaller event at the Packing District Center in Downtown Anaheim earlier in the week, and on the Wednesday before, Disney also held D23 Night at Angels Stadium, where D23 members who attended were given special Mickey Mouse bobble-head figures in an Angels uniform. But the biggest pre-game event leading into D23 was what they called D23 Day at Disneyland. It figures that the heart of the Anaheim resort area and on of the most important pieces of the Disney company would play host to something on the eve of the convention. They held D23 Day in the park back in 2024, but this year it felt like they were making it much more of a big deal. This year’s D23 Day in a way has become a fourth day of the event as a whole, making it more essential to the whole experience. The only difference is you don’t have to have bought a pass to the convention to experience it. D23 Day offered special treats throughout the day to anyone who was visiting the park, including the casual guests there just on vacation, and even those who were attending neither the convention or visiting the park could still take part in free activities available in the Downtown Disney shopping district by the hotels. Apart from exclusive merchandise that was for sale (which all sold out fast by the way), the day also offered special events to guests at the park. One was what they called a Legends Cavalcade, which was a mini parade through the park featuring past inductees in the Disney Legends hall of fame, as well as a couple of this year’s new honorees. But what proved to be one of the biggest additions to this year’s D23 Day was a special nighttime concert celebrating the Disney Princesses, with all of the actresses who played the roles all appearing on stage. The event was free to those attending D23, but due to limited space, they could only limit who could see it those who entered in the virtual queue (which by the way was filled up in seconds). I lucked out and got a spot at the late showing, but even by securing that, it didn’t mean I had the best view of the show. I collected my wrist band for the event mid day and lined up before showtime and ended up at a far distant angle from the main stage. But I got to see the concert performed live, which itself was a rare privilege, and it’s a big sign that they are taking D23 Day at Disneyland more seriously. But, it’s time to talk about the main event itself, so here is my day by day overview of what I saw.
FRIDAY, AUGUST 14, 2026
Because of the move to the Honda Center for the big presentations, there is less worry about getting up extra early for the convention. Gone are the days of those pre-dawn rushes to get the best spot in line in order to hopefully get the best place in line for the shows. Also gone are the all-nighters in the Convention Center basement. This changed mainly for safety reasons, and also probably because of new health guidelines post-Covid. But, even still with the main gates opening up at the break of dawn at 6:30am, there are still a remarkable amount of early risers that have made it into the holding area of the convention center. They lined all of us up and lead us into a below grade show floor in the north wing of the Convention Center. It was a large space, but even still it filled up with people well before opening. Once the convention floor was open for business they led us all line by line into the convention floor. From what I heard, a miscommunication with the staff led to a near stampede as suddenly every line moved towards the door at once. This apparently happened mere moments after my group was brought in, so I didn’t witness it myself, but I did see videos of it. I’ll have more to say about the state of the crowd control later, but first, let’s get into the first sights of the day. They led us into Hall A first, which is on the northernmost end of the convention floor. Here, the most dominant presence was an installation promoting Disney+ and Hulu, the two streaming platforms owned by the company. At the event in 2024, Disney’s streaming and broadcast channels had a large footprint throughout the Convention floor. Here they were limited to Hall A and were promoting more of the individual programming rather than the channels themselves. What this installation offered guests was a bit of a scavenger hunt like activity. There were photo opportunities set up for multiple shows on the Disney platforms, including The Simpsons, American Horror Story, and Scrubs to name a few. Some even offered elaborate interactive experiences, like getting a dynamic red carpet video at the Grammys booth. And after getting your picture taken, one of the booth’s staff will stamp a card for you. After 4 stamps, each person would then turn their card in at the main desk and collect a blind bag pin representing one of the shows featured on Disney+ or Hulu. Two of the ones I got were of the Muppet Show and The Simpsons, so I ended up with some good ones after all.
Nearby however was what I thought was one of the highlights of the whole convention experience. One of my favorite things from D23 2024 was the National Geographic booth, which had this Circle-Vision like experience that felt like something that would feel at home in one of Disney’s parks. For this year, Disney+ offered something similar, but still different enough to feel like it’s own thing. It was what they called the Disney+ Theater, situated right next door to the pin hunt installation. After lining up outside, guests up to 40 at a time would be corralled into a small but impressively assemble mini movie theater. The screen was equipped for 3D projection and each of us got souvenir glasses with the Disney+ Hulu logo on it. Watching a 3D movie would be impressive enough, but the presentation also included 4D effects like rumbling seats and water sprays to make the presentation even more dynamic. And the whole thing included a live host speaking about all the programming we were about to see, which amounted to a supercut of the many different shows playing on the streaming platforms. All of this, the live host, the 4D effects, and the crystal clear 3D projection made this an absolute must see of the convention floor, and to make it even better, they gave out another blind bag pin at the exit. From there, I made my way across the floor to the other halls. The lines were forming fast and got long very quick, especially at the stores which required virtual queues of their own. I got my queue for the D23 showcase store for that afternoon, so I still had some time to wander around. Of course, one of the highlights of each D23 is the Imagineering booth, where the people who design and build the parks get to show off what they are working on. In past years, this experience often would draw big lines, but thankfully in the last few D23’s, they’ve made this pavilion more open spaces, so anyone can come and go as they please. The cool thing about this year’s Imagineering pavilion was that it was designed with a large central foyer with a stage on the end with wings opening up into different rooms with models and artwork. Throughout the day there would be small sit down presentations with Imagineers on the stage, but one of the biggest draws on this stage was a demo of the new free walking animatronic of Olaf that debuted in Paris this year; part of a new gen in character interactions in the parks.
There were smaller panels held on this day that I also managed to get into. One was early in the morning, celebrating the 35th anniversary of Beauty and the Beast (1991). On stage, they had Mark Henn, the animator who worked on the character of Belle, as well as the voice of Belle herself, Paige O’Hara. Additionally, producer Don Hahn and composer Alan Menken were also there to talk about the film. They shared numerous stories about working on the film, often bringing up the important contributions made by lyricist Howard Ashman, who died from AIDS during the making of the film. After discussing the impact of the movie, the conversation shifted to talking about the Broadway show and it’s impact. Invited onstage for this part was the original Belle from the Broadway show, Susan Egan, who later on would become one of the newly inducted Disney Legends at this year’s D23. Speaking of Disney Legends, later on in the day I went to another Panel at the Disney Archives stage on the third floor of the Convention center. There they had a Legnds in Conversation panel, with a sit down interview with four of this year’s class. They included Imagineer Kim Irvine, Animator Eric Goldberg, voice actor Alan Tudyk and again Susan Egan. ABC News’ Rachel Roberts (herself a Disney Legend from 2019), acted as moderator. The four legends all talked about what ultimately led to them starting to work with Disney and how it felt being added to the list of legends. Kim Irvine’s story was pretty interesting, considering that her mother and father were also Disney Imagineers. Her mother, Leota Toombs, in fact would be forever immortalized as Madame Leota in the Haunted Mansion attraction at the Disney Parks. Eric Goldberg also shared a lot of interesting stories about being mentored by animation legends like Art Babbitt and Richard Williams when he was first starting out in the business, long before he came to Disney to famously bring the Genie in Aladdin (1992) to life.
After spending time getting to see much of what was available on the floor, it was time to make my way over to the Honda Center. Because there was a no large bag policy in place for the venue, I had to drop off my backpack and swag bag off at my hotel room. Because my hotel was in between the Convention Center and the Honda Center, I decided on this day to walk the 2 miles rather than take the complimentary shuttles offered to D23 guests. This would be the only day I would do so, because it is quite the trek in the Southern California midday heat. But, I got there in time for the first big presentation of D23; the Film and Television Presentation. While I was up in the higher level and pretty far from the main stage, I still got a decent enough view of the big screen, enabling me a good view of the special sneak peaks of this show. It was the usual rundown of what’s coming up from Disney Animation, Pixar Animation, Marvel and Star Wars with honestly not much in the way of many surprises. A lot of the show had to do with giving us more details about stuff that’s coming out soon, like Avengers: Doomsday (2026), which we got the same trailer that they also showed at Comic Con only a couple weeks prior. There were some pretty stand out things to talk about though. One was the announcement of the new X-Men cast, which includes Sadie Sink’s Jean Grey, who already premiered in Spider-Man: Brand New Day. The cast is already shaping up to be pretty special, including having breakout Obsession (2026) star Inde Navarette cast as Rogue, but one of the biggest surprises was the announcement that Adam Driver has been cast as the villain of the film, playing notorious X-Men foe Mr. Sinister. On the Star Wars side, we got the first look at their new film Star Wars: Starfighter, releasing next summer in time for Star Wars 50th anniversary, which will also include a much sought after re-release of the original unedited version of the first film. To talk about Starfighter, they welcomed the film’s director Shawn Levy as well as the star Ryan Gosling, who playfully leaned into his past as a Mickey Mouse Club alum by wearing his club jacket from his time on that show in the the late 90’s. We also got announcements about upcoming films from the animation studios, including an official announcement for Zootopia 3. And the show ended with our very first look at Frozen III, coming Thanksgiving 2027. One other project they showed was a new mini-series celebrating the character of Oswald, who turns 100 next year. The project, directed and produced by Jon Favreau looked really interesting, and as a treat everyone in the audience was getting a special Oswald trading card pack after the show. This led to what I thought was one of the worst parts of this D23, which was the dangerously unorganized exit plan for the end of the show. As everyone was clamoring for their free cards, it caused a long back up at the exits of the Honda Center, and at times got a little hairy as people were crowding around the poor staff that was caught in the middle of this. It was an unfortunate sour note to end the night one, especially after a great first day on the convention floor.
SATURDAY, AUGUST 15, 2026
Things were far more organized at the start of the second day. There was no stampede to get in this time, and the line to get in remained organized and well managed. I spent most of the morning walking around to the stuff I missed on the first day. One of the biggest installations at this D23 was an experience called Mundo Pixar. Hidden behind mysterious black walls painted with various Pixar character was something that I came in not know what it was going to be. After waiting in a long, nearly hour long line, I did finally get a look inside and it was a very neat looking set up. What Mundo Pixar is essentially is one of those immersive art experiences, where you get to go inside and experience a recreation of a space found in one of the many Pixar movies. The one that they had set up for this show was a re-creation of Andy’s Room from the Toy Story movies, with you place in the middle of it seeing it from the perspective of a toy. Oversized furniture surrounds the space, creating a neat visual trick that makes you feel like you’re a toy yourself. There were also sculptures of Woody and Buzz Lightyear there in the room that we could snap selfies with. After the Toy Story room, the exhibit opens up into a smaller recreation of the headquarters from the Inside Out movies. Unfortunately, that’s it after the Inside Out room, as you exit right into a gift shop. I know that this was just a sampling of what’s supposed to be a more expansive exhibition going on tour across the country, but I also think it quite fell short of living up to the expectation you have built up after waiting in line for over an hour. While the Toy Story room was quite impressive, there really is nothing else to do in their other than just take pictures. Anyway, it did offer a nice idea about what this Mundo Pixar exhibition was going to be like.
But that Mundo Pixar experience was certainly better than what Marvel was putting on at this D23. At D23 2024, Marvel had one of the most impressive pavilions, which was built to recreate an experience at the TVA offices, which featured in the streaming show Loki and the movie Deadpool & Wolverine (2024). This was yet another example of making a pavilion at this convention that in itself could feel at home as a theme park attraction as well. But this year, Marvel decided to bring this pavilion back, but unfortunately gave us a watered down version. This pavilion was probably half the total size of the pavilion from 2024, and mostly felt like a repeat in many ways, only done to a lesser degree. We basically pass by artifacts that feature in the upcoming Avengers: Doomsday, with a particular emphasis on costumes, and that pretty much is all there is. I give credit to the staff working this pavilion as they did their best to stay in character, but all of it felt like a downgrade from the last D23. There were several other sights to see throughout the convention floor, some of which didn’t even require a line to stand in. One of the coolest things that I saw on the floor was a highly detailed model of the Pirates of the Caribbean ride at Disneyland. Not only did it have working mechanics creating motion throughout, but they also had running water and boats moving through the model. Remarkably they managed to do every single room found in the attraction in Lego form with a great attention to detail. You could spend a good amount of time just taking in all the different little features throughout, and it was a line free attraction on the show floor. There were also big displays for some upcoming films like The Bluey Movie (2027) and The New Simpsons Movie (2027), which brought back a bigger version of the hedge experience from the last D23.
For the Convention Center panels, I managed to get into a presentation celebrating the 65th anniversary of Spider-Man. The presentation took place in the second largest venue of the convention, which was the Premiere Stage located in the North Wing. The panel briefly went through the history of the character before moving onto the various different projects that are in the works centering on the character. One of them is the highly anticipated Spider-Man issue #1000, which is going to feature stories and artwork from many all-star talents that have worked and currently are working with Marvel Comics. They also talked about the different TV project, including the pre-schooler show Spidey and His Amazing Friends as well as the animated Friendly Neighborhood Spider-Man series on Disney+, which has it’s new season premiere coming soon, of which we got a first look at the trailer for. Then the panel went on to discuss the success of Spider-Man: Brand New Day, which brought out Marvel Studios head Kevin Feige and actor Jacob Batalon who plays Ned Leeds on stage. They talked about what it was like getting this movie made, especially as it marks a whole new direction for the character as well as for the series itself and the MCU as a whole. Tom Holland couldn’t be there himself, but he did send a special message thanking the fans for making the movie a huge success. At the end of the panel, everyone got a very special mini-poster with different Spider-Man designs used in the comics throughout the years. On the second level of the convention center, D23 was holding something that was going to be a first for them at these events, which is an Auction of rare Disney artifacts. A gallery was set up to display a few of the pieces that would be up for sale, many of which were from the Theme parks, including come carousel figures, two Big Thunder Mountain seater cars, park trash bins, and lots of promotional signs. It’s great that Disney allowed us to take a look at these artifacts before they’re sold and placed into private collector’s hands.
With the afternoon fast approaching, it was time to make my way to the Honda Center once again. This time, I did take the shuttle as opposed to walking the full distance. This was going to be a big one, focused on the theme parks and guest experiences. In many ways, I was more excited about this show than any of the others. This is where Disney could really offer the big surprise announcements. There is a lot of excitement surrounding the parks division of the company, given that it’s where the new Disney CEO Josh D’Amaro came from. And like at the last D23, they really know how to put on a good show. For this presentation, they tapped actor Neil Patrick Harris as the host. The format was interesting, as they made the whole presentation have this late night talk show vibe with a house band and lounge seat set up on stage. The famed Carousel of Progress attraction was also worked into the theme of the show. Neil did a fine job of keeping things lively and tongue-in-cheek in between the different announcements made on the stage by the Imagineers. There were also a fair share of musical numbers throughout the show. The most random one came after they announced they are finally going to fix the long broken yeti animatronic from Animal Kingdom at Disney World. The broken animatronic earned a nickname over the years called Disco Yeti due to the strobe light effect used to mask the lack of movement in the figure. So to send off this “disco yeti,” Disney brought out singer Gloria Gaynor to sign “I Will Survive.” There was also a performance by country singer Sheryl Crow who was there to commemorate the 20th anniversary of Pixar’s Cars (2006), right after they gave us more details of the new Cars themed area at Disney World’s Magic Kingdom. But perhaps the one special guest that stole the night came during the part of the presentation where they talked about the new Villains Land coming to Disney World. Making a surprise special appearance on stage was Glenn Close in character as Cruella DeVil. She walked out to a thunderous reception from the crowd and did a hilarious routine on stage making fun of the Imagineers as well as Neil Patrick Harris. It’s been nearly 25 years since Glenn Close last played the part of Cruella, so it was really neat to see her step back into the iconic role and show that she can still nail it. Afterwards, the show came to a close with perhaps the biggest surprise of the night, which was an announcement that Disneyland’s Tomorrowland was going to get a long overdue update, something which got a huge reception from the crowd. And with that, Day 2 came to an end, much more smoothly than Day 1. Only one more left.
SUNDAY, AUGUST 16, 2026
Now we come to the last day of the convention. This usually is the day that I do clean-up and try to fit in all the things I missed on the previous days. But, this final day would be different to the last one two years ago. Instead of having the Disney Legends Ceremony at the end of the day, they moved it to just after noon, meaning that once it was over, we would still have maybe three to four hours still left to finish up our D23 experience. Before the Legends Ceremony, I made my way to an early morning panel where we would be seeing a world premiere of a new documentary coming to Disney+. This is another one from Oscar-nominated documentarian Leslie Iwerks. The panel was given a special pre-show introduction from CEO Josh D’Amaro himself, talking about why he thought this was a special program to make. Then Leslie Iwerks took the stage to welcome the other guests who were joining her. They included Pixar head Pete Doctor, Disney Animation head Jared Bush, Lucas Film head Dave Filoni, Marvel Studios head Kevin Feige, and director Jon Favreau. The documentary is called Disney Worldbuilders, and it discusses the connection between the different kinds storytelling that come together in Disney Parks around the world. Each of the filmmakers discuss how they create the world from their own imaginations for the movies they make, and then they become astounded when those same world are brought into real life when they are re-created in the theme parks. Though they were there for the panel itself, we also get interviews with former CEO Bob Iger and Director James Cameron in the documentary as well. This was an especially fascinating panel as it did offer an all-star line-up with all of the chief creative heads of all the different wings of Disney entertainment all on one stage. The documentary itself was quite well done, and Leslie Iwerks continues her track record of making insightful and fascinating portraits of different periods and important figures of the Disney Company.
Now it was off to the Honda Center. Of the three shows I went to, this is the only one that I had previously done at the prior D23. My seat was both worse and better than the one I had before at the Honda Center in 2024. I was closer to the stage this time, but at the very side corner, which gave me a very slanted angle of view. Even still, I never really had a bad seat anywhere at this D23, because at the very least I was in the room for every single one. For the Disney Legends Ceremony, they had Ryan Seacrest return as the MC, which he did well enough. What I like about the Legends Ceremony is that Disney uses it to honor people from across the company’s history. Only at D23 do animators and Imagineers get to share the stage with A-list movie stars, and get the rock star treatment from Disney fans across multiple generations. This year’s inductees included the aforementioned Susan Egan, Kim Irvine, Eric Goldberg, and Alan Tudyk, as well as songwriter Lin-Manuel Miranda, actors Anne Hathaway and Dwayne Johnson, producer Jerry Bruckheimer, sports broadcaster Chris Berman, pop singers The Jonas Brothers, and former CEO Bob Iger. There were many fun moments throughout. Lin-Manuel sang his entire speech to the tune of “Part of Your World,” with his speech written in a VHS clamshell box of The Little Mermaid, showing off his own Disney nerdom. The lower part of the Honda Center seats were given placards that when raised up spelled out “Boomer” during Chris Berman’s speech. Eric Goldberg was brought onto stage with a marching band playing “Friend Like Me” from Aladdin, a musical sequence that he animated quite a bit of when he worked on the Genie. And of course there were surprise celebrity appearances to honor the different inductees. Orlando Bloom showed up to honor Bruckheimer, the producer of the Pirates of the Caribbean movies. Emily Blunt was there to honor her Jungle Cruise (2021) co-star Dwayne Johnson. And naturally Bob Iger got the biggest special guests as sportscaster Al Michaels, news anchor Diane Sawyer, actress Ellen Pompeo, and actors Robert Downey Jr. and Harrison Ford all came out to honor a man who was often the one signing their very lucrative paychecks throughout the years. And with all that, a very nicely staged Disney Legends ceremony came to a close, with thankfully more D23 yet to enjoy.
I quickly made my way back to the Convention Center to take in the last couple hours of the event. I hit up some shops that thankfully had their lines die down over time. There were some optional panels still available late in the day, but I decided to just stick to the convention floor for the remainder of time. One of the things that I did finally have the time to experience was the Disney Archives exhibit. Taking it’s cue from the last D23, the Disney Archives decided to do away with closed off exhibits that required guests to stand in line for, and instead create these open, free-flowing exhibits that you could enter and leave at your own leisure. Last time it was set up as an auto show, displaying famous vehicles used throughout the Disney company’s history. This year, the theme was artifacts being taken out of crates straight from the archive, dubbed Disney Archives Uncrated. These represented a fairly random selection or props and costumes from many different films and shows made by Disney. One of the spotlighted sections of the gallery was a collection of artifacts from the Jim Henson Muppet Studio. Displayed here was the Kermit puppet used on the Muppet Show, as well as the prop banjo that Kermit plays in The Muppet Movie (1979). Other props that caught the eye were Mary Poppin’s carpet bag from the movie, the power disc from the original Tron (1982), and a giant popcorn lighted sign for the Hannah Montana show. Overall, a nice, albeit scaled down exhibit from the Disney Archive team. With one last hour left in this year’s D23, I decided to take a look at something I had overlooked this entire convention. Avatar had a pavilion at this D23 that I honestly had no interest, because I thought it was just a repeat of the same exhibit they had last time. What surprised me was that it was not the same at all, but instead what I found was a 4D cinematic experience similar to the Disney+ theater I visited on Friday. It wasn’t quite as impressive as that, given that it was a shorter experience and had no sitting, but we did get a nice presentation that felt richer and more worthwhile than the last Avatar pavilion. I’m glad that I managed to fit this one in at the last minute. I gave the convention floor one last walkthrough before the final call to leave the convention came. One other great change this year was that they kept the convention floor open an extra hour, closing at 8 this year instead of 7 in the past. But, all good things must come to an end.
There were many things that I felt got improved upon this year from past D23’s. I love the embracing of more attraction like experiences. The Disney+ Theater was definitely a floor show highlight, with the Avatar experience being second. The Pixar Mundo experience looked really cool, but also felt a bit underwhelming, and then the lackluster Marvel pavilion was just an embarrassment. I did also really like the layout of the Imagineering pavilion, which almost in the way felt like a mini convention center within itself. Disney could really improve on some of their crowd flow management, especially after the Friday night Honda Center incident. But, their panel presentations at the convention floor theaters were always well managed. One thing that I really appreciated about this D23 is that they offered those who missed out on the Honda Center presentations a chance to catch some really special shows there back in the convention center. One of them that I heard was especially good was the Disney Rewind Concert. This was a show where many different performers, both who worked on the original films and those who have sung covers of famous Disney songs, performed live for the audience there at the show. This included some special surprises, including Ariel voice actress Jodie Benson performing not the song she’s known for (“Part of Your World”) but instead the villains song given to Ursula in the same movie (“Poor Unfortunate Souls”). Disney also introduced something new this year which were Afternoon passes, which allowed guests to have a chance to make brief visits to the convention floor for a 4 hour period of time at the end of each day for a marked down price. This is a great way to increase access to more visitors who may have avoided the convention before due to the price of admission before. Overall, even with some quibbles about various things, I still had an incredible four day experience at D23. Thankfully I got the full Honda Center and Convention Center experience this time around. I hope my luck continues when passes go up for sale for the next D23 in two years. It will be interesting to see how they schedule it, given that it’s going to be the same summer that the Olympics are coming to LA. We might be seeing a late or early D23 in 2028, depending on how much space they want to build for themselves surrounding the frenzy that the Olympics will bring, So, thank you for another incredible D23 to all those hard working cast members at the Walt Disney Company. You put on a great show and I can’t wait to return again in two years time.
